What was a collection of performers merging into a single performance became individual performers, each uniquely identifiable and yet an integral part of the overall performance. Which leads into the next difference.Ģ) The separation of sounds and instruments into their constituent parts was breathtaking. you heard the knock but you also heard the detail that went with that - I can best describe it as hearing the quality of the wood! Without any mistake, you also heard the sound of how the knock resonated in the six associated strings! What was previously just a knock became a superb, captivating, harmonically rich event! Now consider that every sound heard now had that harmonic richness associated with it and you start to get an idea of the impact that this has. What was identifiable before as the artist knocking on his guitar, became more. I've listened carefully to what it is that is so striking about the new sound and come to the conclusion that it is a combination of things:ġ) The first that struck me was that sounds had much more of the accompanying harmonic content than they did before. And this was with them being fed by a $600 preamp! Not only that but the sense of 'being there' was so strong that it was simply incomparable to what I had before. I heard 30% more music - it is that simple. Let me unequivocally say that the Wolcotts are the best amplifiers that I have ever heard and, I currently believe, perhaps the best that I will ever hear. This had the added advantage that I could try out the Wolcotts with both an active (LS-3) and passive (OBH-10) preamp. Due to the cost of the Wolcotts (about $4500 used) I bought the cheapest good preamp I could at the time - a used Audio Research LS-3 that came with a Creek OBH-10 passive remote volume control (total cost $600). Now one of the problems with upgrading from an integrated is that you have to buy both an amp and a preamp at the same time. I recently traded in the M3 (along with every spare thing that wasn't being used around the house) and bought a used pair of Wolcott P220m amplifiers. The problem is that I've now heard better. Make no mistake, this is an outstanding integrated amp and at that stage in my audio journey I fully believed that it deserved that rating. I've owned a Musical Fidelity NuVista M3 amp for the last 5 years and gave it a 5/5 rating when I bought it. Pour info, un article lu sur le net sur le SFL2: Voir tous nos conseils sur comment bien acheter et vendre. J'offre les quelques tubes supplémentaires que je possède avec ! Le seul petit problème qui n'en est pas vraiment un, c'est la prise de l'alimentation que je ne peux plus visser, mais qui se branche sans problème et fonctionne parfaitement, et quelques vis du capot qui sont manquantes d'origine ! Un petit lien ou certains n'hésitent pas à dire que le SFL-2 est meilleur que le Line2, et proche du Line3 ! (pour ceux qui ne connaisse pas, les line 1, 2, et 3 sont la dernière série de préamplis de Sonic Frontiers, crée après les SFL-1 et SFL-2) Vous avez tous les détails technique sur ce lien Sorties RCA et XLR pour l'amplification et bi-amplification possible Le très haut de gamme de l'époque avec le dac SFD2 et les blocs mono SFM-160 que je vends aussi.Įquipé de 8 tubes 6922 Sovtek, vous retrouverez toujours ce son plein, avec beaucoup de matière propre aux électroniques Sonic Frontiers.Įntrées RCA + 2 entrées (1 RCA et 1 XLR) directes, permettant de ne pas passer par la balance. Superbe préampli avec bloc d'alimentation séparé. Pour continuer de simplifier mon système (voir ma PA sur les Blocs mono SFM-160), je vends mon préampli Sonic Frontiers SFL-2 à façade dorée. Possibilité d'expédition : Oui mais 2 cartons ! Prix de vente : 2300 euros (Neuf dans les 5600 Euros !)ĭépartement où la marchandise est visible : 77
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